“Our ability to manufacture fraud now exceeds our ability to detect it.” —Viktor
Today’s quick review: S1m0ne. Viktor Taransky (Al Pacino), a washed-up director, gets the chance to salvage his career when he inherits Simone (Rachel Roberts), a virtual actress capable of fooling even the most critical observer. Simone becomes an overnight sensation and makes Viktor one of the most sought-after directors in the business. But as Simone’s career takes on a life of its own, Viktor grows jealous of his creation’s success.
S1m0ne is a science fiction comedy about a virtual actress who takes the world by storm. Al Pacino stars as Viktor Taransky, a director who bends over backward to keep the truth behind his artificial star a secret. S1m0ne opts for a light tone and safe humor, earning its laughs from the lengths Viktor goes to to make Simone a reality. Even though S1m0ne sticks to a formula, its clean execution and insightful writing make it a hidden gem.
S1m0ne has aged surprisingly well. The movie never loses itself in social commentary, but its observations on fame, technology, and the media are even more relevant now than when it was released, and the script is peppered with moments that cut to the core of these issues. Importantly, S1m0ne knows how to keep things light. It takes shots at everything from the movie industry and the artificial nature of celebrity, but it never comes off as bitter.
S1m0ne is a strangely insightful comedy that never loses sight of what it is. It is outclassed by other comedies in terms of raw humor, and there are other science fiction movies that offer a deeper treatment of its themes. But anyone willing to take a gamble on something light will find it to be a pleasant watch with a handful of thought-provoking ideas.
For another comedy about a well-meaning fraud, check out School of Rock or Mrs. Doubtfire. For a more dramatic musing on people’s attachment to artificial creations, try Blade Runner 2049 or Ex Machina.
6.1 out of 10 on IMDB. I give it a 7.0 for light comedy and trenchant commentary.