Today’s quick review: An American in Paris. Jerry Mulligan (Gene Kelly), an American painter living in Paris, gets the break he’s been hoping for when his paintings catch the eye of Milo Roberts (Nina Foch), a wealthy heiress who offers to become his sponsor. But their relationship grows complicated when Jerry falls in love with Lise (Leslie Caron), a young woman who Jerry doesn’t know is in a relationship with his friend Henri (Georges Guetary).
An American in Paris is a classic musical romance starring Gene Kelly. An American in Paris follows the entanglements of a former American GI as he pursues art and romance in the picturesque French capital. The film is a showcase for the music of George and Ira Gershwin, packed with elaborate musical numbers that make good use of its cast. However, in spite of its high quality, the particulars of its music and story won’t appeal to everyone.
The chief appeal of An American in Paris comes from its musical side. The songs cover the full spectrum of 40s and 50s musical numbers, from simple solos and duets to sprawling dances and even the odd orchestral piece. Like other musicals of the era, the tone is upbeat and romantic with a tinge of wistfulness. Gene Kelly makes for an excellent lead, with a cheery personality and dancing talents that carry entire stretches of the film.
An American in Paris also deserves praise for the interesting relationships between its characters. Though the overall tone is still positive, the film isn’t afraid to let its characters act selfish and make mistakes. Milo’s unrequited love for Jerry, Jerry’s passion for Lise, and Lise’s obligation to Henri make for a fraught love triangle with more opportunity for tragedy than happiness. This setup is one of the subtler strengths of the film.
Still, An American in Paris makes a few choices that will dampen its impact, even for musical lovers. The songs are shoehorned in wherever they fit and have only minor connections to the story. The film gambles on its dancing in a big way, culminating in a gorgeous but lengthy ballet sequence near the end that can make or break the film, depending on the viewer’s taste and patience. The film’s mature, ambivalent flavor of romance is another gamble.
An American in Paris is a strong pick for those who love classic musicals, especially fans of dancing. Bright songs, a talented cast, and a romance that’s more complicated than in the average musical make it an enjoyable watch with plenty to offer. However, the strengths of the movie don’t necessarily come together as a cohesive whole, leaving the audience to connect with each piece individually.
For an even more energetic musical starring Gene Kelly, try On the Town. For another musical romance set in Paris, try Funny Face. For a romance with no musical numbers and similar character dynamics, try Breakfast at Tiffany’s. For an even more mature romance, try Roman Holiday. For a comedy with some similar plot elements and a dash of music, try A Night at the Opera.
7.2 out of 10 on IMDB. I give it a 7.0 to 7.5 for impressive music and dancing coupled with a tangled romance.