Cloverfield

Today’s quick review: Cloverfield. Rob Hawkins (Michael Stahl-David), a young executive bound for Japan, is at his going-away party in New York when an enormous monster attacks, toppling buildings and plunging the city into chaos. Rob must lead his best friend Hud (T.J. Miller), his brother Jason (Mike Vogel), Jason’s girlfriend Lily (Jessica Lucas), and Lily’s friend Marlena (Lizzy Caplan) across Manhattan to find a safe way off the island.

Cloverfield is a found-footage sci-fi disaster thriller that follows a band of survivors as they attempt to escape from a catastrophic monster attack. The entire film is shot from the perspective of Hud’s video camera, which he was using to tape Rob’s party. Cloverfield takes this simple premise and runs with it. The stakes are high, the thrills are effective, the characters are well-drawn, and the mystery is dribbled out in little doses.

Cloverfield goes far on quality alone. The premise is not that far off from other sci-fi survival films, but its execution helps set it apart. The movie moves forward at a steady clip, beginning with a glimpse into its characters’ lives before exploding into a tense, uncertain survival scenario. Cloverfield packs a wide variety of peril and character development into its short run time, while its found footage style keeps it grounded and personal.

Another point in Cloverfield’s favor is its sense of mystery. The monster attack happens without warning, causes total chaos, and has no obvious explanation. The monster’s appearance and capabilities are revealed gradually throughout the movie, but the important questions—what it is, where it came from, and what it wants—are left largely unanswered. What’s there is enough to pique the audience’s curiosity without giving too much away.

Still, Cloverfield’s particular style will not appeal to everyone. The found footage gimmick leads to shaky camerawork and restricted storytelling. While Cloverfield takes advantage of the medium in clever ways and weaves in bits of context as needed, it’s still a limited perspective on a much larger conflict. The other potential weak point is the characters, who are just likable enough to be sympathetic but not enough to fully bond with.

Watch Cloverfield when you’re in the mood for well-paced thrills and efficient storytelling. Cloverfield has what it takes to spin a gripping tale out of a simple premise. Skip it if you’re looking for a tidy plot or you dislike shaky camerawork. For another dark, found-footage sci-fi movie, check out Chronicle. For another disaster movie about a monster, check out Godzilla. For a gritty sci-fi survival movie, try I Am Legend or War of the Worlds.

7.0 out of 10 on IMDB. I give it the same for being a gritty thriller that delivers exactly what it promises.

The Lost Boys

“Don’t kill me, Mike! I’m basically a good kid, so just don’t kill me.” —Sam

Today’s quick review: The Lost Boys. Following their parents’ divorce, Michael (Jason Patric) and Sam (Corey Haim) go to live with their eccentric grandfather (Barnard Hughes) in Santa Carla, California. While their mother Lucy (Dianne West) looks for work, the boys explore the strange beach town, only to find it menaced by a gang of vampires. Making matters worse, David (Kiefer Sutherland), the gang’s leader, wants Michael as its next member.

The Lost Boys is a horror comedy with an 80s style. The Lost Boys follows Michael and Sam, two ordinary teenage boys, as they cross paths with a group of vampires intent on making Michael one of their own. The movie takes a familiar premise and imbues it with its own unique style. Organic acting, a memorable 80s soundtrack, a touch of action, and just the right amount of comedy are enough to make The Lost Boys a thoroughly enjoyable watch.

The plot of the movie hits most of the expected beats. As Michael is drawn deeper into David’s gang, Sam begins to wonder what’s happening to his brother and tries to help. The plot itself is serious, an earnest struggle with the forces of darkness, but the delivery is comedic. The characters are quirky and fun, the jokes hit their mark, and the comedy offsets the horror nicely. The result is a balanced film that makes good on its premise.

Watch The Lost Boys when you’re in the mood for a fun adventure with a dash of darkness. The Lost Boys has all the ingredients it needs to entertain, while its distinctive style gives it plenty of cult appeal. Skip it if you’re looking for scarier horror or dislike the 80s. For a low-budget horror movie with a similar premise, check out Neowolf or Vampiyaz. For a more absurd 80s fantasy adventure, check out Big Trouble in Little China.

7.3 out of 10 on IMDB. I give it a 7.0 for a fun premise and lots of charm.