Jonah Hex

Today’s quick review: Jonah Hex. Jonah Hex (Josh Brolin), a disfigured bounty hunter, gets a second chance at revenge when Quentin Turnbull (John Malkovich), the Confederate general who killed his family, resurfaces years after his supposed death. Using his mystic ability to talk to the dead, Hex must hunt down Turnbull and his men before they can unleash a stolen superweapon on Washington, D.C. and bring the United States to its knees.

Jonah Hex is a fantasy Western based on the DC Comics character. Jonah Hex mixes a Western foundation with fanciful technology, fantasy elements, and superhero influences to produce an unusual take on the action genre. As well as leads Josh Brolin and John Malkovich, Jonah Hex’s solid cast includes Megan Fox, Michael Fassbender, and Will Arnett. However, a weak script and mediocre direction keep the keep the film from living up to its full potential.

As a rule, Jonah Hex has interesting ideas but poor follow-through. Nowhere is this more apparent than Jonah’s ability to speak to the dead. The ability is explained in passing as a result of Jonah’s own brush with death, but apart from helping Jonah track down Turnbull, it has no bearing on the plot. The scenes where this ability is put to use have interesting dynamics, but the concept is never expanded upon.

The same goes for the film’s technological indulgences. Horse-mounted Gatling guns and dynamite crossbows make a good impression but have no lasting effect on the film. More broadly, the plot is predictable and about twenty minutes too short, needlessly glossing over Jonah’s origin story. The direction is passable but noticeably flawed, with a tendency to rush the pacing, overuse darkness, and misapply flashbacks and visions.

As far as acting goes, the film’s actors are let down by a lackluster script. Josh Brolin makes for a fine protagonist in the jaded gunslinger mold, but without the character development or killer lines to make him stand out. John Malkovich plays an oddly typical villain for an actor known for his unusual delivery. Michael Fassbender makes the most of his role as Burke, Turnbull’s psychotic right-hand man, falling just short of memorable villain territory.

In the end, Jonah Hex makes for a decent action film and a weak Western. Inventive ideas on the technology and fantasy sides help give the movie a flavor of its own, but the movie doesn’t follow through on its most interesting concepts and its execution is not strong enough to make it memorable. Give Jonah Hex a shot when you are in the mood for an action movie that blurs genre lines, as long as you are willing to forgive it some lapses in quality.

Other movies that play in a similar space include The Warrior’s Way, which adds Eastern assassins to the Wild West; Ghost Rider, which works Western elements into a supernatural superhero film; and Cowboys & Aliens, which fuses the Western and sci-fi genres. While all of these films have their flaws, their experimental takes on the Western genre may be of interest to a certain type of viewer.

4.7 out of 10 on IMDB. I give it a 6.0 for interesting ideas held back by poor execution.

Caddyshack

Today’s quick review: Caddyshack. While Judge Smails (Ted Knight), a stuck-up country club patron, feuds with Al Czervik (Rodney Dangerfield), a boisterous newcomer, caddy Danny Noonan (Michael O’Keefe) jockeys for a college scholarship. Elsewhere on the golf course, Ty Webb (Chevy Chase), a wealthy idler, works on his putting and Carl (Bill Murray), a dimwitted greenskeeper, hunts down an elusive gopher.

Caddyshack is a comedy with an impressive cast and a freewheeling style. Caddyshack follows a host of colorful characters as they argue, romance, and golf at the Bushwood Country Club. The style of comedy is a blend of slapstick, golf humor, and character-based absurdity that gives the film’s cast the chance to shine. However, the humor comes at the cost of cohesion, with little in the way of story and isolated scenes that feel stitched together.

Caddyshack is at its best when it lets its actors put their skills to use. Between Rodney Dangerfield’s affable, out-of-control personality, Chevy Chase’s quirky banter, and Bill Murray’s unhinged, iconic performance as Carl, Caddyshack has all it needs in terms of comedic talent. Ted Knight’s arrogant elitism makes him a useful target, while Michael O’Keefe plays a straightforward, sympathetic protagonist to tie the movie together.

Watch Caddyshack if you are in the mood for a silly comedy with a heavy focus on individual comedians. Not everyone will appreciate its deliberately wacky style or its disjointed storytelling, but Caddyshack packs in enough strong jokes to be worth checking out. For a college comedy in a similar vein, check out Animal House.

7.3 out of 10 on IMDB. I give it a 7.0 for talented comedians and a decent script.

Hackers

“Mess with the best, die like the rest.” —Dade Murphy

Today’s quick review: Hackers. Dade Murphy (Johnny Lee Miller), a hacking prodigy, moves to a new high school during his senior year and falls in with the computer crowd there, butting heads with fellow hacker Kate Libby (Angelina Jolie). But when one of Dade’s new friends breaks into a highly secure system, he puts them all in the crosshairs of a security expert (Fisher Stevens) with a secret plan to hold several oil tankers hostage.

Hackers is a cyber thriller that drops a group of high school hackers in the middle of a plot to squeeze millions from a major energy company. Hackers offers a highly romanticized look at the world of cyber security. Buzzwords fly, code names abound, and computers bristle with flashy interfaces. And at the center of it all, Dade must prove his chops to Kate without getting caught by the Secret Service.

Hackers has a suite of flaws that make it either hard to watch or entertaining, depending on the viewer. The film takes liberties with both computers and the culture surrounding them. It aims for a standard of coolness that hasn’t aged well, and it misses by a wide margin. The characters are borderline caricatures, the plot is slow to unfold and holey when it does, and even the film’s non-technical details have errors.

In spite of all this, Hackers is a moderately entertaining watch on its merits. Though not perfect, the plot is mostly coherent. The characters are shallow but play off each other well. The hacks are fanciful but occasionally clever. Really, Hackers is a kids’ film in disguise: apart from a bit of swearing, the light tone and loose plot logic make it a surprisingly good fit for the genre.

Give Hackers a shot if you are in the mood for a flawed thriller, a decent kids’ film, or are just curious to see Hollywood’s take on 90s-era computer culture. For a kids-with-computers movie with a bit more cohesion, check out WarGames. For an action movie with a similarly loose approach to hacking, check out Swordfish. For a cyber thriller with a tighter script, check out Sneakers.

6.2 out of 10 on IMDB. I give it a 6.0 for modest entertainment value hampered by mediocre writing and an odd attitude.